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theparisreview:

Audio excerpt from the TV program USA: Poetry: Frank O’Hara, a 12-part documentary series produced and directed by Richard Moore for National Education Television. This episode was filmed on March 5, 1966, at O’Hara’s New York City home and originally aired on September 1, 1966. (via Brain Pickings)

Is it dirty
does it look dirty
that’s what you think of in the city

does it just seem dirty
that’s what you think of in the city
you don’t refuse to breathe do you

someone comes along with a very bad character
he seems attractive. is he really. yes very
he’s attractive as his character is bad. is it. yes

that’s what you think of in the city
run your finger along your no-moss mind
that’s not a thought that’s soot

and you take a lot of dirt off someone
is the character less bad. no. it improves constantly
you don’t refuse to breathe do you

theatlantic:

Percy Bysshe Shelley Frets About Information Overload … in 1821

We have more moral, political, and historical wisdom than we know how to reduce into practice; we have more scientific and economical knowledge than can be accommodated to the just distribution of the produce which it multiplies. The poetry in these systems of thought is concealed by the accumulation of facts and calculating processes. There is no want of knowledge respecting what is wisest and best in morals, government, and political economy, or at least, what is wiser and better than what men now practise and endure. But we let I dare not wait upon I would, like the poor cat in the adage. We want the creative faculty to imagine that which we know; we want the generous impulse to act that which we imagine; we want the poetry of life; our calculations have outrun conception; we have eaten more than we can digest. The cultivation of those sciences which have enlarged the limits of the empire of man over the external world, has, for want of the poetical faculty, proportionally circumscribed those of the internal world; and man, having enslaved the elements, remains himself a slave.

Read more. [Image: Wikimedia Commons]

theatlantic:

What My Son’s Disabilities Taught Me About ‘Having It All’

While our friends worry about the quality of middle schools, our parental duties include bringing our son to the ER to get stitches after he puts his head through a window, then arranging for a window replacement and for a special treatment for all the glass in our house so it won’t shatter — at a pretty penny. Other friends declare, “I couldn’t do what you do.” If I am to conform to their expectations, I’m not sure what I am supposed to do: Beat my son? Kill myself? (Sadly, parents with kids like my son have done exactly that.)

Maybe it’s my Buddhist outlook, but I’m not consumed with worry and frenzy and despair like I’m “supposed” to be. I don’t enjoy that my 12-year-old son is still in diapers and sometimes purposely makes a mess in the bathroom. Or that he dumped his Thanksgiving dinner on my sister-in-law’s pregnant belly. Or that he screams in the parking lot of Whole Foods until people call the cops on us. On the other hand, he is my son, and he is what I have. And he has a nice smile.

When I look at friends and acquaintances, many with perfectly beautiful children and wonderful lives, and see how desperately unhappy or stressed they are about balancing work and family, I think to myself that the solution to many problems is deceptively obvious. We are chasing the wrong things, asking ourselves the wrong questions. It is not, “Can we have it all?” — with “all” being some kind of undefined marker that shall forever be moved upwards out of reach just a little bit with each new blessing. We should ask instead, “Do we have enough?”

Read more. [Image: The author on a walk with her son. Credit: Karl H. Jacoby]

Nikki in the first shoot from my ‘People and Poetry’ Project
 A Disillusionment of Ten O’Clock, by Wallace Stevens
 The houses are hauntedBy white night-gowns.None are green,Or purple with green rings,Or green with yellow rings,Or yellow with blue rings.None of them are strange,With socks of laceAnd beaded ceintures.People are not goingTo dream of baboons and periwinkles.Only, here and there, an old sailor,Drunk and asleep in his boots,Catches TigersIn red weather.
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Nikki in the first shoot from my ‘People and Poetry’ Project

 A Disillusionment of Ten O’Clock, by Wallace Stevens

 The houses are haunted
By white night-gowns.
None are green,
Or purple with green rings,
Or green with yellow rings,
Or yellow with blue rings.
None of them are strange,
With socks of lace
And beaded ceintures.
People are not going
To dream of baboons and periwinkles.
Only, here and there, an old sailor,
Drunk and asleep in his boots,
Catches Tigers
In red weather.

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